推開紫禁城西三所木門,紅牆隔開三秒滑走一條短片的喧囂,院裡老海棠已陪匠人走過四十個秋天。工作臺上攤著比米粒還細的千枚銅齒輪,毛刷蘸煤油洗去乾隆年間銅鍍金寫字人鐘的百年浮塵;鐘琴、古琴、大提琴與精密齒輪滴答聲相扣,定格銅鶴重振雙翅、清脆鐘聲驚起故宮白鴿的一瞬。
"The Clock Restorer in the Forbidden City" pays tribute to the master horological conservators working inside the quiet Xisansuo courtyards of Beijing's Palace Museum. Contrasting modern three-second short-video impatience beyond the red palace walls with forty autumns spent beneath crabapple and ginkgo trees, the narrative follows the kerosene brush-cleaning and three-winter gear polishing of an eighteenth-century Qianlong gilt-bronze writing automaton clock. Delicate mechanical clockwork ticks, celesta chimes, guqin, felted piano, and solo cello build to the moment a century-silent brass crane beats its wings and chimes over the Forbidden City.