《一曲清靜音：心有雪山》 Sounds of Serenity: Snow Mountain in the Heart · 《曲熱》宋畫留白與古琴東方靜心輯

《曲熱》 Chörab

《曲熱》（Chörab / ཆོས་རབ་）為「曲熱影畫」廠牌同名緣起之作，收錄於「一曲清淨音」欄目。詞曲記敘主理人二十年前於雪山舊院偶遇藏地苦行老僧、獲贈一粒舍利並賜名「曲熱」的真實往事；二十年後翻閱藏文詞典，方知其意為「殊勝的法」。作品以溫潤原聲吉他、低音大提琴與高原空靈環境聲鋪陳，將佛法真義落回「淋過大雨仍替路人撐傘」的人間悲憫。

Chörab (Tibetan: ཆོས་རབ་) is the eponymous origin work of CHÖRAB · SHADOW & SOUND within the A Song of Serenity series. Written by founder Ming Qu, it recounts an actual afternoon twenty years earlier in a courtyard beneath snow-capped Tibetan peaks, where an aged ascetic monk reached past devoted pilgrims to place a śarīra relic into an outsider's palm and bestow the name Chörab. Discovering two decades later in a yellowed Tibetan dictionary that the word means 'The Sublime Dharma,' the piece blends acoustic guitar, cello, singing bowl harmonics, and highland wind to ground spiritual truth in holding an umbrella for strangers after enduring heavy rain.

《心有雪山》 Snow Mountain in the Heart

《心有雪山》屬「一曲清淨音」欄目，與廠牌同名作《曲熱》互為姊妹篇。作品從都市霓虹夜色裡的呼吸縫隙起筆，轉入日照金山、一盞酥油燈、四言梵唄吟唱與風過經幡的藏地意象，指出真正的淨土不在萬里之外的跋涉，而在心念澄澈的當下。編曲融合低沉高原長號、頌缽泛音、大提琴與清澈人聲，營造出安住人間的清涼定境。

Created as a contemplative sister work to Chörab within the A Song of Serenity series by CHÖRAB · SHADOW & SOUND, Snow Mountain in the Heart moves from neon-lit urban exhaustion toward the inner stillness of high-altitude Tibetan landscapes. Across spacious, unhurried phrasing, imagery of golden sunlit peaks at dawn (Rizhao Jinshan), a single yak-butter lamp, wind-stirred prayer flags, and a traditional four-syllable Buddhist liturgical chant bridge monastic serenity with everyday secular life. Deep Tibetan dungchen horn resonance, singing bowl overtones, solo cello, and crystalline vocals anchor its meditative soundscape.

《半山聽雨》 Rain Halfway Up the Mountain

《半山聽雨》為《曲熱》東方清淨美學專輯開篇之作。編曲以實錄瓦檐雨聲與竹林山風鋪陳空間，清透古箏泛音、溫潤竹笛與穿雲而來的山寺暮鐘彼此應和。視覺融入南宋夏圭《溪山清遠圖》、馬遠《水圖》《踏歌圖》長卷與北宋汝窯天青釉「雨過天青雲破處」的溫潤肌理，道出半途駐足、檐下一坐心無掛礙的從容。

Opening the Eastern serenity album Chörab by CHÖRAB · SHADOW & SOUND, "Rain Halfway Up the Mountain" pairs crystalline bridged guzheng harmonics, warm dizi bamboo flute, and a distant mountain temple bell with natural eaves rain and bamboo breeze recordings. Composed and produced by Chörab (Ming Qu), its 4K visual language draws upon Southern Song ink scrolls by Xia Gui (Pure and Remote View of Streams and Mountains) and Ma Yuan alongside Northern Song Ru-ware sky-blue celadon—suited for tea contemplation, rainy-day reading, and mindful rest.

《廣陵清風》 Clear Breeze of Guangling

《廣陵清風》取魏晉名士嵇康《廣陵散》與「手揮五弦，目送歸鴻」之精神風骨，採用傳世仲尼式七弦無雁柱古琴演繹散音之渾厚、泛音之清冷與按音之吟猱，並與清越洞簫幽谷應答。視覺融匯北宋李唐《萬壑松風圖》、文同《墨竹圖》與南宋夏圭《溪山清遠圖》館藏真跡氣韻，將最錚錚傲骨化作天地間最靜的松。

Track two of the Chörab serenity album by CHÖRAB · SHADOW & SOUND, "Clear Breeze of Guangling" pays tribute to Wei-Jin literatus Ji Kang and the ancient repertoire Guangling San. Composed and produced by Chörab (Ming Qu), it features a classical Zhongni-style seven-string bridge-less guqin—articulating open bass strings, crystalline harmonics, and sliding stopped tones—in dialogue with a vertical bamboo xiao flute. Visual scrolls weave Li Tang's Wind in Pines Among a Myriad Valleys and Wen Tong's Ink Bamboo into scholarly composure for study and contemplation.

《留白》 Unpainted Space

《留白》立意取自南宋院體畫大師馬遠傳世名作《寒江獨釣圖》（約1195年）：全幅素絹僅繪一葉扁舟、垂釣老翁與寥寥數筆水紋，餘下皆為無墨空白，卻令觀者望見浩渺寒江與漫天風雪。編曲以幽微洞簫、七弦古琴泛音與克制弦樂留出充沛呼吸間隙，並融王維「行到水窮處，坐看雲起時」哲思，為太滿的現代日常留一方棲心之白。

Inspired by Southern Song court master Ma Yuan's iconic c. 1195 scroll Angler on a Wintry River (Hanjiang Dudiao Tu), "Unpainted Space" by CHÖRAB · SHADOW & SOUND translates Chinese ink-wash negative space (liubai) into sound. Composed and produced by Chörab (Ming Qu), breathy xiao flute, bridge-less guqin harmonics, and spacious strings leave generous intervals of silence between phrases, paired visually with Ma Yuan's lone skiff and Northern Song Ru-ware celadon. Echoing Wang Wei's verse on watching clouds arise, it suits meditation, gallery aesthetics, and unhurried reflection.

《普陀潮音》 Tidal Sound of Putuo

《普陀潮音》以東海普陀山晨霧渡海、千年古樟、紫竹林海風與潮音洞聽濤為意象軸線。編曲將真實東海潮汐拍岸聲、竹葉沙沙聲與清透琵琶泛音、悠遠洞簫細膩交織；視覺融入南宋馬遠《水圖》十二水波紋理與夏圭《溪山清遠圖》水天浩渺長卷，寫就「來時滿身風雨，歸時一身清涼」的澄明海島心境。

Track four of the Chörab serenity album by CHÖRAB · SHADOW & SOUND, "Tidal Sound of Putuo" unfolds a tranquil sea-mist journey to Mount Putuo in the East China Sea. Composed and produced by Chörab (Ming Qu), crystalline pipa harmonics and breathy vertical xiao flute interweave with East Sea tidal surf and bamboo breeze recordings. Visual frames incorporate Southern Song master Ma Yuan's Water Album wave studies alongside Xia Gui's misty horizon scrolls, evoking thousand-year camphor shade and calm ocean contemplation.

《殊勝的法》 The Sublime Way

《殊勝的法》褪去宏大概念與說教，將目光落回人間微末處的自然生機與日常善意：凍土下頂開春霜的草籽、古渡口靜泊的木船、窄巷裡側身相讓的體貼與屋檐下留給夜行人的微燈。編曲以溫厚原聲木吉他指彈鋪底，交織悠遠洞簫與高原晨風聲場；畫面由暗夜陶釉油燈一豆暖火漸次迎來雪山破曉，溫潤而平實。

Track five on the Chörab album by CHÖRAB · SHADOW & SOUND, "The Sublime Way" celebrates secular everyday kindness and quiet natural resilience without dogma. Composed and produced by Chörab (Ming Qu), warm fingerpicked acoustic guitar blends with a distant bamboo xiao flute and crisp alpine morning wind. Its 4K visual narrative moves from the steady flame of a clay oil lamp in darkness to golden dawn across snow peaks, honoring small unannounced gestures—stepping aside in a narrow lane, leaving a porch light on, and keeping gentle eyes after winter's chill.

《松風入茶》 Pine Wind in Tea

《松風入茶》考據宋代山居煎茶雅事，「水初沸如松風過耳，水再沸如山澗鳴泉」化用蘇軾與陸羽候湯聽松風之典。編曲以清雅七弦古琴、溫潤竹笛與山泉沸水聲相融，尾奏留三秒餘弦自然入靜；視覺匯集北宋李唐《萬壑松風圖》、南宋劉松年《攆茶圖》與宋代建窯黑釉兔毫盞館藏細節，落筆於「心安一寸，便是故鄉」。

Track six of the Chörab serenity album by CHÖRAB · SHADOW & SOUND, "Pine Wind in Tea" draws upon classical Song-dynasty tea preparation, where water coming to its first boil murmurs like wind through pines (songfeng). Composed and produced by Chörab (Ming Qu), refined seven-string guqin, warm bamboo dizi flute, and simmering mountain-spring acoustics conclude with a natural three-second string decay into silence. Visual scrolls pair Li Tang's Wind in Pines Among a Myriad Valleys and Liu Songnian's Preparing Tea with Song Jian-ware hare's-fur black-glazed bowls—ideal for tea sessions and unhurried afternoons.

《月照寒潭》 Moonlight Over the Cold Pool

《月照寒潭》以山林暮色、松果輕落與寒潭映月構築極致澄澈的夜間聲景。編曲以深沉七弦古琴泛音、幽微洞簫與清冷夜露環境音相合，大面積靜謐留白承托每粒琴音如水滴入潭；視覺交織南宋馬遠《對月圖》《寒江獨釣圖》與北宋汝窯天青釉洗，詮釋「雁過長空，影沉寒水；寒潭澄澈，明月自來」的無滯心境。

Track seven of the Chörab serenity album by CHÖRAB · SHADOW & SOUND, "Moonlight Over the Cold Pool" evokes luminous nocturnal stillness in a pine-shaded mountain valley. Composed and produced by Chörab (Ming Qu), crystalline seven-string guqin harmonics and delicate vertical xiao flute float across spacious night-dew ambience where even a falling pine cone resonates. Visuals weave Southern Song master Ma Yuan's Viewing the Moon (Duiyue Tu) and Angler on a Wintry River with Northern Song Ru-ware celadon—ideal for evening meditation, sleep preparation, and quiet contemplation.

《雲水無心》 Unburdened Clouds and Water

作為《曲熱》專輯收官之曲，《雲水無心》化用陶淵明「雲無心以出岫」與古典禪詩「竹密不妨流水過，山高豈礙白雲飛」之哲思。編曲以溫潤七弦古琴、清風竹笛與潺潺山澗實錄流水聲自然交融；視覺匯集北宋范寬《溪山行旅圖》、米友仁《瀟湘奇觀圖》米氏雲山段及南宋夏圭《溪山清遠圖》館藏長卷，寫盡柔順如水、天地皆寧的豁達。

Closing the Chörab serenity album by CHÖRAB · SHADOW & SOUND, "Unburdened Clouds and Water" draws on Tao Yuanming's classic line of clouds drifting effortlessly from mountain peaks and the proverb of water flowing unhindered through dense bamboo. Composed and produced by Chörab (Ming Qu), warm seven-string guqin, clear dizi bamboo flute, and live-recorded mountain stream water accompany museum-grade Song-dynasty scrolls—Fan Kuan's Travelers Among Mountains and Streams, Mi Youren's Cloudy Mountains, and Xia Gui's misty riverscapes—for unhurried peace and emotional ease.